Sabrina Ho looks to Macau art fairs and auctions to diversify economic system away from casinos

As pressure grows on Macau to discover new sources of revenue, scion of casino dynasty imagines an alternative future to the other SAR
Sabrina Ho Chiu-yeng does what she could to aid Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun might be more well known for gracing society and entertainment pages, in January she organised the very first Macau sales by China’s state-owned Poly Auction and then in November held her very own annual hotel art fair, having already launched an exhibit to promote the work of young art graduates in September.


“Macau is changing,” she tells The Collector. “We don’t want to rely just for the gaming industry. We wish more families in the future to put holidays, you want to boost our cultural and inventive industries.”
This is a politically correct view to the daughter of a casino magnate. Macau is in the cross hairs of Beijing’s fight against corruption and capital outflow. The central government started urging the location to relinquish its being hooked on the gaming sector, the taxes where buy most public expenditures, back through the boom years, in the event the “build it and they’ll come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers combined with a slowing economy have gone up pressure to discover new revenues.
Fundamental change continues to be slow in the future. Five casinos have opened since 2012 plus much more are saved to just how, including two from branches of the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Sabrina ho chiu yeng‘s half-sister Pansy Ho Chiu-king.

So are Sabrina’s cultural endeavours all slightly of soppy pr to the clan?
Well, China’s biggest ah is treat­ing her seriously, and hopes her youthful energy and family connections may help it plunge into a new and wealthy market where no international house includes a presence. In exchange, Ho says, she wants the auctions to aid attract tourists and maybe let the city’s 600,000 residents to build up much more of a desire for culture. Their bond, called Poly Auction Macau, is 51 % owned by Poly and also the rest by Ho’s company, Chiu Yeng Culture.
Ho spent my childhood years encompassed by art and other collectables owned by her parents but jane is fairly new to the auctions business. After graduating by having an arts degree from the University of Hong Kong, in 2013, she done the branding and marketing side of the family’s hotel and property businesses. “But I like art and i also asked Poly basically perform in their free time within their Hong Kong office, to understand the auction world,” she says.
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