It is really an interesting indisputable fact that usually hottest subculture is cooked up by somebody that seeks profit only, after which is fed into a hungry young crowd of fans. This is not always true in Japan, though. The art is for the art’s sake is what comic market followers are longing for.
Yoshishiro Yonezawa, a novelist, critic as well as a passionate supporter of popular manga subculture, developed a concept of founding a company, a market which will be open for all the non-professional manga artists who form their own circles called doujinshis to make manga mimic artwork and magazines (that are called doujinshis, too). The idea became very popular as Comiket, the biggest comic market in the world, is held in Japan twice a year for 3 days back to back every time during winter along with summer. There are many than 35 thousand circles engaging as well as over half a thousand attendees.
This is a space where freedom of expression is preached on the large, and organizers never imagined so large a success of these creation. Before Comiket, young people who studied in high school or university, took part in comic markets as amateurs, and ceased to join after graduation. However in mid-seventies this changed drastically. It came into existence not simply a hobby, however a lifetime passion, as many artists got appreciation and followers because of growing availability of doujinshi phenomenon. There are many than 2,000 doujinshi markets occurring in Japan annually, and Comiket is certainly typically the most popular one.
Currently the idea have spread beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China and also Usa. The volume of doujinshi circles mushroomed as markets provided great opportunities for any large number of amateur artists and mangakas (manga artists).
At the start the predominant part of doujinshis creators were women, about eighty per cent. Within the 1980s more males became interested, and after this the ratio generally seems to favor female artists only slightly.
We conclude that doujinshi is really a visual cultural phenomenon which is shaped mostly by youth, yet its meaning and consequences have global importance.
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